On paper, Mass Effect Andromeda sounded like it might end up being a complete disaster. The creator is no longer involved, the development team is different, and the storyline has completely removed itself from the original trilogy. We’ve seen this dance before, but somehow Mass Effect: Andromeda manages to surprise and rise above everything that threatened to stand in its way, even if we have seen some of these tricks before.

Mass Effect: Andromeda takes place between the events of Mass Effect 2 and 3. In a response to ongoing threats, the Citadel council wishes to populate homeworlds outside of the Milky Way, in the Andromeda galaxy. You play as either Scott or Sara Ryder, members of this Andromeda Initiative, as they explore the new and vast Andromeda Galaxy for viable locations for a new home. There is, of course, a hostile threat – a strange race known as the Kett, who wish to enslave those who have come to Andromeda. The Kett are lead by the Archon, a mysterious figure who provides the bulk of the core mystery to the story.Mass Effect: Andromeda is a pretty dramatic step back from the last game’s story in terms of scale – the nihilistic, darker themes of Mass Effect 3 are nowhere to be found, and instead we have what feels like a much more personal story. In this Galaxy, humans are the aliens which leads to some interesting situations in the story. While slow to start, Andromeda’s narrative is packed with mysteries and intrigues to the point where it’s hard to not be interested in seeing at least one of many plot points end.

Those lured into the franchise by its likeable characters and their interactions will be pleased to hear that Andromeda is no different. At first, it’ll be hard to forget the greats like Garrus, Thane, Liara and Wrex, but you’ll slowly grow with these new guys just as you did with the original crew of the Normandy. It’s interacting with them and the many denizens of Andromeda that really brings things home – whether it’s moments of galactic, political intrigue and negotiation or bittersweet discoveries, Mass Effect Andromeda’s story harkens back to the very best moments of the original Mass Effect. This feels like a Space Opera again.Mass Effect Andromeda - RemnantFrom the moment you step into the shoes of whichever Ryder sibling you choose, you’ll notice a few things that are slightly different about Mass Effect: Andromeda. Continuing the series’ transition into action territory, there’s a breadth of changes with respect to how your character moves in the battlefield. Mobility is extremely high – your character can now dash in any direction as well as while in the air, hover to line up the perfect shot and grip edges.

It’s a trend that most games are incorporating, but one that feels right at home given Andromeda’s emphasis on both action and exploration. Cover has changed too, with your character automatically hugging cover when near an object. Some players may find frustration in not being able to assign this action to a button and be in control of it, though in my play of the game I had little to no issues with moving in and out of cover (even if it was a bit strange to get used to initially).Mass Effect Andromeda - CoverPerhaps more controversially is how the powers and skills are now handled in Andromeda. There’s no longer a set class to pick, a predetermined, unchangeable path your character can only walk. Instead, you choose whichever skills you want, whether it’s a tech power, or a biotic power, or just standard battle skills. You build your Ryder the way you want them to be. If you tend to allocate points into a certain set of skills or traits, you’ll also unlock profiles that can be assigned to your character.

Profiles change the way your character behaves, usually augmenting the skills you favour with your experience points. Spending mainly on Tech skills? The engineer profile will make those abilities more powerful, as an example. Such a system feels like a great leveraging of the depth of Mass Effect 1’s skill system with the streamlining of Mass Effect 2 and 3, but with the freedom that Andromeda is so keen to provide as an experience.Mass Effect Andromeda - CombatHowever, such a system, whilst incredibly flexible, also comes with a price that fans of the series may find puzzling – the power wheel is no more. Ryder can assign his or her powers to one of three possible shortcuts and is unable to open the wheel to use additional powers or command their squad.

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This decision feels like a baffling dumbing down of the system that has remained largely prevalent through the original trilogy’s changes in design. But for some reason in Andromeda it’s entirely absent, which is perplexing at best. You can switch between “loadouts” you create yourself, but this is slightly more cumbersom than just having the bulk of your powers appear on a power wheel.

Despite these shortcomings, Mass Effect: Andromeda is Mass Effect combat at its best. It’s fast, it’s frenetic, and it’s incredibly smooth. It’s fun to work out how powers interact with one another to create some devastating combosMass Effect Andromeda - Combat 2Ever since the first Mass Effect game, fans have wanted to see a return to the sense of exploration and discovery that was eschewed for pure action in the sequels. Andromeda brings these elements back to the forefront of the experience. You’ll scout out new planets, make them viable by completing quests, and establish outposts on their surface to provide a new home for your people. While there are less uncharted worlds to visit in Andromeda than the original game, each of these is massive and packed densely with things to do, whether it be creatures to conquer or relays to plant.

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The resounding question that most BioWare fans are asking is just how much Andromeda borrows from its cousin, Dragon Age Inquisition. In short, the design is influenced by Inquisition, but most of the cumbersome fetch quests and incessant menu browsing that made Inquisition such a slog has been refined or removed in Andromeda. There is the odd side quest here and there that is  typically “MMO” in design, but most of Andromeda’s massive offering is worth experiencing.Mass-Effect-Andromeda---MassiveMuch of this slog is remedied by the inclusion of the Nomad, a spiritual successor of sorts to the Mako. Essentially a heavy-duty space buggy, the Nomad can conquer the toughest of terrain and helps remove a lot of that wasted time spent just running from waypoint to waypoint (as in Inquisition). The Nomad is customisable and can even be shifted into an all-wheel drive mode which makes exploring a cinch.

There are just so many stories waiting to be told here in both the main quest and side content, which is why Andromeda feels like such a generous offering – so much so that I’d estimate that most seasoned players would take at least forty or so hours (probably more) to see everything that the game and its many worlds has to offer. But what’s great is the the diversity of the stories told – companion missions improve the performance of your team in battle but also provide great character building moments. Whether it’s happy, sad, jubilant or sombre, there’s a wealth of emotions in the game’s writing that feels right at home in Andromeda.Mass-Effect-Andromeda---NomadBut now it’s time to address the elephant in the room – Andromeda’s presentation. Inconsistent at best, the general gist of Andromeda is that the environments, locales and settings of the foreign galaxy look fantastic – blizzards billow, sun-scorched earth glows, and the surface of subterranean caves and lakes shimmer.

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On the other end of the spectrum, the character models are wildly inconsistent – some look amazing, while others lack detail. Such problems are only exacerbated by poor animations and dead, lifeless stares during key dialogue scenes. These problems have never been truly game breaking for me personally, as much of these issues plagued the original trilogy of Mass Effect games as well. However, given that no improvements have been made, it is a disappointing shortcoming.A huge part of the Mass Effect experience is also the music. The series is at its best when it’s paying homage to the cyberpunk thrillers of the 80s, with synth laden tracks helping to create a gritty atmosphere but with loud horns and melancholy piano to up the melodrama in the more intense scenes. Andromeda leverages the deeper, darker sound of Mass Effect with the more dramatic tone of Mass Effect 3 to create something epic, yet modest.

CONCLUSION

Mass Effect: Andromeda manages to successfully bring back the sense of exploration and discovery that fans have longed for since the original Mass Effect, whilst honing and improving the already enjoyable combat mechanics of Mass Effect 3. The result is something truly special – a metaphorical slow burn, a hybrid that is sure to appeal to fans of both the original game and its flashier sequels. Despite this, Andromeda is hampered slightly by its lack of visual polish and presentation, which can kill the wonder and fantasy as quickly as it builds it.

The Xbox One version of this game was played for the purpose of this review. You can read our review policy HERE.

The Verdict
Beautiful LocalesFast And Frenetic CombatExploration and Discovery
Rigid Character CreatorInconsistent Character ModelsSome Rough Animations
9Overall Score
  • BovineDeath

    Nice review that shows an in depth knowledge of the franchise and avoids the Rock, Paper Shotgun hate bandwagon. I played the trial on EA Access and loved it, can’t wait to get the full game for PS4 Pro.

    • RGBpixel

      I loved the Trial as well PC Super Deluxe Edition.

  • Snakeplisskin

    This game is not a worth a 9,don’t get be deluded

  • Snakeplisskin

    *Don’t be deluded.Dont get me wrong it’s a nice looking game but it’s a 7 at best.

  • Coffeecarrier

    Tsk. Another reviewer clearly pressured into a positive review to protect your access to review copies and distributor PR. Shame, I had high hopes for Press Start. Also, check your review policy. This review does not line up with your own definition of a ‘9/10’. Dismissing primary factors as ‘personal preference’ is transparent and tacky.

    • Kam

      So if its not a negative review, the publication has been paid off?. This is what your saying?? Can you not handle people having different opinions?
      How about forming your own opinion…now that s a thought!

      • CoffeeCarrier

        Grrl. take it easy. I did not say it had to be negative, i did not say they had been paid off. If you are going to be righteous then get your points right.

        Press Start’s review policy states:
        “9/10: A game or an utterly unique experience that should definitely warrant a playthrough by everyone. Not perfect but any flaws can be ignored as they wouldn’t harm the game in the long run”

        how does that line up with the well covered animation problems, to quote the review “On the other end of the spectrum, the character models are wildly inconsistent – some look amazing, while others lack detail. Such problems are only exacerbated by poor animations and dead, lifeless stares during key dialogue scenes. These problems have never been truly game breaking for me personally”

        or the lack of variation or novelty on explorable worlds, all playing to the same tropes and prototypes we have seen over and over. Again, to quote “But now it’s time to address the elephant in the room – Andromeda’s presentation. Inconsistent at best”

        The change in combat and the power wheel “This decision feels like a baffling dumbing down of the system that has remained largely prevalent through the original trilogy’s changes in design.”

        Then of course there is the fact that the review completely avoided mention of the removal of ‘paragon/renegade’ dialogue options, the lack of depth and nuance in choices of conversation. The new galaxy with the same 4 races (except for the new bad guys), the AI that in incessant it it’s ‘warnings’.

        I have worked with a similar gaming company and am all too aware of the pressure put on managers, which trickles down to reviewers, that there is an ever looming threat that early access, if infact access at all is forever threatened by the scoring of reviews, a sword of Damocles that threatens to drop at any moment.

        They can do what they want. Others will just quickly take over the space. I applauded Press Start for actually making a success of Australian gaming coverage where others tend to flounder. That video on 7s GTA reporting is exactly what this media should be doing, and what I myself am working on in the current vacuum. What Press Start is doing is ruining their own credibility before things even start. And do i think think is coincidental with this being the first review to be made a part of the OpenCritic system for Press Start? Absolutely not.

        And this is all 10 minutes in quick summation. I can go on if you want. But in a phrase: “Check your lipstick before you come for me”

        P.S. your comment login system is broken on mobile. gives a 503 gateway error. Look into that.

      • CoffeeCarrier

        I had a feeling that you were just shilling for these guys, but the fact that they have gone and deleted my detailed response (which you baited me for) because I had an evidence base is truly bad form. If you guys want to contact me directly, you have my email. If not, do not think this ends here.

        • Dan

          Deep calm breaths buddy. You seem angry.

  • CoffeeCarrier

    Wow. Press Start are deleting comments that are in no way offensive but call them out for inconsistency. RIP Press Start

  • ChapaNDJ

    Pathetic review. How much did Bioware paid you for this shit?

  • reptilescorpio

    Nice review James, glad to see you aren’t allowing others to colour your opinion. As someone who loved the openness of ME1 and felt ME3 was bland in comparison I’m actually looking forward to picking this up down the line. Shame it didn’t release in a quieter period when there wasn’t so much closely guarded conclusions from other games. EA have done a really poor job presenting their releases over the last 12 months, this has gone almost as badly as Titanfall 2!

  • dds

    To many gays in this new galaxy 🙁